To create the shape, Ganzer began with the matte grayish-brown crease shade from the Natasha Denona Glam palette, layering its deepest metallic gunmetal shadow over the top for depth and dimension. She then applied the white highlighter from Dior’s Universal Glow palette along the bridge of Schafer’s nose, fading it into the inner corners of her eyes for a futuristic, silvered glow. Prada Beauty eyeliner and mascara created more precise definition. The secret to that razor-sharp upper edge? “I cleaned up the edges on top with a Q-tip dipped in micellar water to make sure it was ultra sharp and left the bottom edges diffused and blurry,” Ganzer explains.
The rest of the face was kept deliberately soft, with a little Haus Labs foundation and concealer, the lightest touch of Saie blush in Mia, and Lancôme’s Hush Hush lip color, dabbed on with a finger for a romantic and blurred finish. It was a necessary contrast to the severity of the eyes.
Daryl Hannah as Pris in Ridley Scott’s Blade Runner.
Photo: Getty Images
“We really wanted the eyes to have their own moment, so with the hair, I wanted to keep it feeling a bit more restrained against all the glamour,” hairstylist Rena Calhoun explains. Schafer’s hair was pulled back into a deliberately disheveled updo, with flyaways and loose pieces escaping at the back. “The idea was for it to feel a bit rough and undone, with little pieces falling out in the back that gave it a slightly messy, frazzled quality, almost like Pris’s texture in the film.”
Styled by Dara, Schafer kept up the dystopian femmebot look in a burnt brown-and-black leather Prada corset dress with a sculptural neckline, layered beneath a voluminous chocolate-brown fur coat, with textured black tights and sparkling earrings.
